My work in laser cut vinyl.

The digital.forest logotype

This is my work.

That’s a double entedre of sorts as it is also, for the moment, my employer, but what I’m talking about here is this logotype. Back when dinosaurs in neon-colored Member’s Only jackets roamed the earth, I was a Graphic Designer. I designed this at the request of my friend, Chris Kilbourn, who started d.f back in 1994. For posterity, here is the back-story of its creation; (Kilbo can fill in any details I’ve forgotten in the comments)…

When I was a professional designer I kept sketchbooks. Usually hard-bound books of blank heavy paper. I doodled and wrote in them constantly, usually with a black felt-tip pen. )I hate ball-points, and pencil doesn’t hold up well to wear.) I’ve kept all sorts of bad habits over the years but losing this good habit of doodling I regret deeply.

Several years prior to doing this logo for d.f I had done a whole corporate identity for a housing development called “Pine Lake Glen” on the Issaquah/Sammamish plateau. Back then it was a lot like the area I live now; high ground in the Cascade Foothills, with a few horse properties and widely scattered houses. It was just beginning to be developed. Now it is a bustling surburbia with a Starbucks on every corner, and expensive SUVs plying the driveways and parking lots. In my sketchbooks at the time I doodled a lot of trees coming up with the look for PLG. I settled on a set of three, which I had created with a paintbrush. I’ve often thought about driving up to the plateau and seeing if the signage I designed is still there, some 20+ years later.

When Chris asked me to design the d.f logo I remembered all those trees I had drawn years before and dug out my sketchbook. Sure enough, at some point I had made the perfect “tree”, with a fat loose-ended marker that had a wonderfully frenetic, organic shape. It would contrast well with the circuit-board motif I planned to mate with it to capture the incongruous combination of thoughts that is digital.forest. The typeface may look familiar to anyone who has ever driven the Autobahn: it is the condensed variant of the Deutsches Institut für Normung face created for highway signage. You know… all roads lead to:
All roads lead to Ausfarht!

I prepared other designs, but I knew this was “the one” as soon as I completed it. I presented a range of offerings to Chris but he saw the beauty in this one and went with it. I created some great letterhead, and some truly amazing translucent business cards (which d.f sadly no longer uses.) We’ve kept the overall design in the intervening sixteen years, and like a good logo should, it has stood the test of time. Recently we went through an office remodel. It took forever, and frankly drove many of us nuts, but one highlight was revealed at the end. Out in the lobby, highly visible as you step out of the elevators is my work embedded in the floor in laser-cut vinyl:

Though I’m leaving digital.forest the identity I created for it sixteen years ago will always remain. As an artist, it is always satisfying seeing your work… at work.

A Truck Load of Salt

I took my son Nicholas to see his favorite musician, Jonathan Coulton play at the Moore Theater in Seattle last night. We drove down from Arlington, with a stop at Seattle institution Dicks for a bite:

Mmmmmmm. Says Nick. on Twitpic
The opening band was Paul & Storm:

(and yes, panties were thrown at the performance last night… seven of them in fact.)

Nick acquired a “Skullcrusher Mountain” T-shirt and stocked up on so many nerd hit points that I’m certain he’ll dominate the next D&D match he plays.

There was really only one downer for the whole night. A few rows behind us was seated a guy who was not only really loud, but also cracked wise at every pause in the show. Paul & Storm strongly encourage audience participation and this guy took the bit and ran with it… non-stop.

All.

Night.

Long.

Literally not a minute of the show went by without this guy hollering a punch line, or wisecrack, or just something stupid. One or two of his remarks/heckles/outbursts were quite funny. Three or four of them were picked up by the performers and made for funny moments. But the other eighty six of them were just tiresome, annoying, and several times threw the performers off their game. We ALL paid good money to see this, and more importantly HEAR this event, but at literally every quiet moment this yahoo became a bellowing distraction.

Like spice in a well-prepared dish a bit of audience participation is a wonderful thing. Had the audience last night all sat like cadavers, it would have been pretty dull (though one song demanded that we become zombies!) However too much is just too much. In this case a pinch of salt would have been perfect, and this one guy in the audience (let’s call him “Richard”, or “Dick” for short) arrived with a dump truck loaded with sodium chloride, backed up (beep… beep… beep… beep… ) into the auditorium, then dumped two tons of salt all over the show.

Really? Don’t be that guy.

Seven Years in Two Photographs

Watching children grow up is like observing starfish. It happens so slowly that it is impossible to actually see it happen, but like watching that minute hand move on the big wall clock in fifth grade math class, while it happens almost imperceptibly, it does happen. Photography of course allows us to cheat time and observe moments from the past, and collected photos can form a sort of mental time lapse movie where suddenly those seemingly motionless starfish are wandering all over the tide pools.

In 2003 the entire Goolsbee family visited my parents, this included my two sisters and their families. At the time all four of the grandkids, that is my two boys and my two nieces, all just had braces put on their teeth. I snapped a photo to commemorate the situation:

L—R: Christopher, Nicholas, Lauren, & Caroline in winter 2003.

It is a cute photo and it ended up on the cover of one of those Apple iPhoto books I made for my parents of our week with them, which to this day enjoys a place on their living room table. The photo captures three of the four of them at the end of their childhoods and into their teens. Chris and Caroline were thirteen years old, Lauren was fifteen. The littlest is Nicholas, who was then just ten years old and as you can see the teenagers are all hunched over to match his height for the photo.

Fast-forward your metal time lapse to the end of 2009:

L—R: Christopher, Nicholas, Lauren, & Caroline in December 2009.

On our last day in Colorado over the Christmas holiday I rounded up all four the grandkids away from their iPods, school reading assignments, and laptops. The intent was to recreate the 2003 shot, with a little art direction from my sister using the original photo on the cover of my parents’ book. Chris & Nick are now over six feet tall. Their cousins, being their mother’s daughters (my sister Cathy is, shall we say… “vertically challenged”) remain about the height they were in 2003. Getting everyone’s head lined up was a bit of a challenge! Both nieces are in college now, with Lauren set to graduate in May. Chris is in college too, and Nick is a sophomore in high school. (Nicholas is also no longer the youngest and certainly not the “littlest” grandkid anymore as my youngest sister had a son 3 years ago.)

The intent of the photograph was to capture their smiles, and the results of all that orthodontics. What I see instead however is seven years of maturity reflected in these four faces. While they’ll always be our children, none of them is really a child anymore.

Datacenter Site Selection – Facebook in Prineville, Oregon

Average Industrial Power Rates per State

Facebook announced this week that they are building a datacenter in Prineville, Oregon.

Other than being the place of my wife’s birth, and the home of Les Schwab Tire Centers, why on earth would they choose to locate a high-tech industrial facility in Prineville, a tiny town in eastern Oregon far from any major metropolitan area? The reasons are simple, and boil down to two things: Cost of Electricity, and Climate.

Have a look at the map above. This represents the average cost of power to an industrial user on a per-state basis. I’ve said it many times, but it bears repeating: A datacenter is essentially a facility that transforms electricity into bits. Power goes in, bits come out. The by-product of this bit manufacturing process is heat. So power costs, and the ability to keep the facility cool are the two critical components of datacenter site selection. Those white states running through the map represent the lowest power costs.

While the cost to build a datacenter is staggering (~$2000 per square foot) the cost to operate it over time is daunting. Datacenters use a lot of electricity. Not just for powering the servers, but also to keep the environmental conditions correct for those servers. Computers don’t react well to dramatic changes in temperature and humidity, so a stable environment is critical. It takes as much, and often more power to maintain the datacenter environmental conditions as it does to power the servers. Locating the datacenter in a place with a naturally cool climate is a huge advantage due to the concept of “free cooling”… that is using naturally cool outside air to maintain the inside temps. We do this at digital.forest’s datacenter in Seattle. Outside air is used the majority of the time, year round. Only in daytimes during the summer do the mechanical cooling systems have to kick in and take over. You can’t do this in Houston, or even in most of California. So look at those white states and think about which ones have the reliably coolest climates.

Washington & Oregon.

Washington state has an advantage over Oregon in that power is less expensive here. Visionary companies started building datacenters near the large hydroelectric dams along the Columbia River about seven years ago. Microsoft and Yahoo near Quincy, VMware and T-mobile near Wenatchee. More were planned until our Attorney General, Rob McKenna declared that datacenters were not classified as “Manufacturing Facilities” and therefore not eligible for sales tax breaks on capital purchases tied to their construction. Given that it costs tens to hundreds of millions of dollars to build a datacenter, this action tipped the scales into Oregon’s favor. Even though the long term operating costs in Oregon may be slightly higher, the cost to build a facility is much, much lower as Oregon has no sales tax. This is likely why Facebook chose Oregon.

Construction will last for quite a while and inject $188 million dollars into the Oregon economy. Once in operation the facility will bring about 35 well-paying jobs (Facebook says 150% of the region’s prevailing wage) to the town of Prineville. For rural areas this can only be a good thing. So congrats to Facebook and Prineville, and let’s hope it is a long a fruitful relationship.

Datacenters are a growth industry of the future and will be a wonderful economic boost for rural communities east of the Cascades where traditional industries such as timber have all but vanished. I hope our politicians in Olympia have noted this and can get datacenter construction rolling again here in Washington.

Let’s go for a ride!

From the YouTube page description:

The Known Universe takes viewers from the Himalayas through our atmosphere and the inky black of space to the afterglow of the Big Bang. Every star, planet, and quasar seen in the film is possible because of the world’s most complete four-dimensional map of the universe, the Digital Universe Atlas that is maintained and updated by astrophysicists at the American Museum of Natural History. The new film, created by the Museum, is part of an exhibition, Visions of the Cosmos: From the Milky Ocean to an Evolving Universe, at the Rubin Museum of Art in Manhattan through May 2010.

I love visualizations like this. Thinking at scales like this is very hard for the human brain to do. Seeing it helps, but the timescales involved in traveling this distance overwhelm even my fairly open mind.

Hat tip to Tom Negrino via twitter.

787 First Flight

I am privileged to have witnessed first-hand today a historic moment. Mind you it is a small one in the big scheme of things, but I had the chance to see it, and now I’m sharing it with you.

My office is very close to Boeing Field, and my window is host to all manner of interesting aircraft, as you have seen occasionally. The flight path of Sea-Tac is also behind our building, so there is always something flying by. Today though, was a historic day as something special was set to fly by. Boeing’s new passenger jet, the 787 “Dreamliner” took flight for the first time. I watched it take off from Paine Field in Everett live on the Internet and set my phone’s alarm to remind me to be ready to photograph it 5 hours later when it arrived at Boeing Field a bit before sundown.

The winds were from the south which meant it would land towards my window, not across it. I was preparing to make a run to the post office to mail a few things when Kevin, our Facilities Manager and Civil Air Patrol member informed me that the flight was now scheduled to land much earlier. As I grabbed my camera my phone rang and my friend John, who works on the 787 project at Boeing let me know exactly when it would touch down: 1:22 PM. This meant I had about 12 minutes to go find a spot near the runway to catch it. If it had been a clear day with wind to the north I would have gone to the south end of the runway and been right underneath it as it landed. It was coming from the north though and 12 minutes would be not long enough to get to the far side of the airport and found a spot to park, so I gave up on getting really close shots and drove as fast as I dared to the Museum of Flight, which has a good view of the runway and a large parking lot. Of course EVERY light between my office and the Museum was RED.

I arrived with about 3 minutes to spare, with a large crowd already gathering. I lucked into a parking spot and walked around trying to find a good spot for photos. The air was thick with cold rain (the weather was what cut the first flight short), hovering news helicopters and a pervasive sense of anticipation.

News choppers overhead, people wait for the 787's arrival under the warm friendly umbrella of a retired B-47 Stratojet Strategic Nuclear Bomber.

That white speck under the bomber's nose is the 787's lights as it emerged from the heavy overcast above Seattle.

Zoomed as far as my lens will go. The 787 & chase planes approach out of the gloomy sky. Note the upswept wings.

getting closer.

Just after touchdown. You can see the flexible wings have let down.

The landing was essentially perfect. The plane was smooth and undramatic. By this point it was pretty much taxiing.

Once the landing roll was done and the Dreamliner was essentially just parading, the chase planes flew over.

Does anyone other than me find it ironic that the chase planes for the world's newest jetliner are:…

… a Lockheed design dating from the 1940s?

taxiing down past the Museum of Flight.

The IMAX chopper does a low flyby around the nose as the 787 comes to the turn-around point.

The crowd waves, and the pilot waves back.

A closer look at the Rolls-Royce engine. Interesting cowl shape.

As the 787 heads toward the testing center at the north end of the field, everyone takes a last look at her before heading back to work and out of the rain.


You can see all of my photos, as they were dumped out of my camera, here.

Published: Five fallacies of cloud computing

Five fallacies of cloud computing.

My article about cloud computing fallacies was recently published over at Tech Target. The cool part for me has been seeing people reference it in Twitter posts. Big thanks to my college buddy Richard Puig for asking me the question that set me off on this rant. 😉

Unlike past articles I’ve had published there this one does not have a comments sections, so I can’t see the feedback. I’ll have to ping my editor and see what sort of cranky emails he’s been receiving .