Dick Dale: The Effortlessness of Mastery

Dick Dale

When I was an on-ice official (Referee & Linesman) in hockey, we were always told that you have achieved perfection when you can work a game unnoticed. That is, when your craft and skills meet with experience and confidence, your mastery will make your effort appear effortless. Mastery in art and craft is something that truly requires a lifetime to gain. Old dogs don’t learn new tricks, they just become so good at old ones that they are no longer tricks, they are art.

I consider myself lucky, and privileged when I can experience the mastery of those who have worked that lifetime. I saw and heard Dick Dale tonight at the Triple Door in Seattle. I discovered Dick Dale’s music a long time ago, when I was living overseas and frankly found the music they played on the radio ranged from disappointing to awful. It is an odd experience to be a stranger in a strange land, and you find yourself longing for things from home. In my first months there I was alone and consoled myself on weekends by watching American movies, if only to just relax and not have to listen so hard while parsing dialects and accents. Seeing movies from home was like letting my brain rest. A movie I watched had a Dick Dale tune and it sparked in me the desire to explore uniquely American musical genres. I fell in love with “surf rock” and it became a staple in my personal playlists. Not long after my return to the USA, I flew to Southern California to see and hear the man himself play. It was at the “Route 66 Reunion” in San Bernadino, and he played outdoors amidst a giant car show on a warm autumn evening. His son Jimmy, then a young boy, played with him for a few songs. I chatted with him after the show and he signed the shirt I was wearing for me. The whole trip is a fond memory for me.

Above: Dick & Jimmy Dale play together that night nearly a decade ago.

Since then I’ve tried to see him again, but for one reason or another I was always out of town when he visited Seattle, Bellingham, or Vancouver, BC, the large cities close to my home. I’d check his website for tour dates faithfully and inevitably be in another state when he came through here (which by the way is why I flew to SoCal to see him last time!) When checking his site last year I was taken aback to see that Dick had been stricken with cancer and had stopped touring. Being a tough old guy he beat it, and is (amazingly!) back on tour again. I sprung for some tickets and invited friends to come along and see him.

Dick Dale's performs tonight

I’m so glad I went.

Dick Dale has been performing for longer than I have been alive. He is 72 years old and can rock like few others. Most importantly he has truly mastered his craft. His playing is so effortless that it is a joy to behold. He has no set list, he just plays what he wants, moving from one song to another based on whim. His two band mates literally follow him, their eyes glued to his figure, moving along as Dale drifts off of notes and chords from one song to another. The sounds that come from his guitar are beautiful cascades of, as he so succinctly put it, pain and pleasure – flowing as naturally, and relentlessly, as water down a mountainside, or waves upon a beach.

Riders in the Sky, The Wedge, Esperanza, Ring of Fire, Let’s Go Trippin’, In-liner, Miserlou, and Third Rock from the Sun.

After the show, I chatted briefly with him again, as I had all those years ago. I wore the same shirt, and had him refresh the now faded autograph. I handed him one of my personal cards, with a photo of the 65E on it and he mentioned that he owns one as well: a red ’68.

Small world, and better for having such artists in it.

First Shots With New Camera

Finally started shooting with the new rig. I grabbed the camera and the telephoto lens as a aerobatic plane was doing stalls and loops above our house this evening as we sat out on the deck after dinner. The plane went off behind the trees, so I never did get a photo of it. Instead I pointed the lens at the family. Nick didn’t mind too much.

It switches to B&W at the touch of a button.

I pointed it at Sue but she kept hiding when I did.

After we left the deck I ran off to the Saturday nigh Cruise-In down in Arlington to shoot some cars. Pics coming soon!

Finally… a new camera.

Last year I blogged about shopping for a new camera.

Well, I finally bought one. I actually made my decision on which one to choose not long after I wrote that piece, it just took me a while to actually make the purchase. I picked the Panasonic Lumix G1, but since it was still pretty new, and sporting some amazing new technology, it carried a premium price. Knowing that the patient would be rewarded with better prices I just sat and waited. For me the summer driving season is when I do most of my shooting and I could afford to wait. My trusty old Olympus still works fine, and there was no rush. I did a few events this spring, and the Olympus did fine.

As for the choice, I really appreciate the advice I received, both here and off-line via email and phone chats from so many peers. If you recall beyond the overall qualification of interchangeable lenses, my needs boiled down to a short list of priorities: Small, Light, with a reasonably-sized multi-angle LCD. These are dictated by my shooting style, which is often one-handed, from odd angles… frequently hanging out the side of a moving vehicle(!)

My choice fell finally to the Panasonic, and an Olympus. The Olympus is the smallest, lightest “true” DSLR available. The Panasonic is the first camera to use the “Micro-Four-Thirds system”, which is a combination of sensor and interchangeable lenses, specifically engineered for smaller, lighter cameras. It is NOT a “true” DSLR, as it has no penta-prism and mirror. Instead it has a “live” viewfinder reading directly from the CCD. Other advantages include:

  • Contrast detect autofocus is generally more accurate than the phase detect systems usually employed on entry level DSLRs
  • Shorter flange-focal distance means that practically all manual lenses can be adapted for use
  • Viewfinder potentially larger and (in low light) brighter
  • Electronic viewfinder can provide realtime preview of the exposure and tone
  • No mirror, so no “mirror slap” causing noise and vibration

The disadvantages are: The viewfinder is very different from other cameras and will take some getting used to, and, a very limited choice of lenses at the moment. You can buy any standard four-thirds system lens and an adapter, but lose some of the functionality of the “micro” system. The Panasonic Lumix G1 is in fact the only camera available in the Micro-Four-Thirds system, and it has only two lenses available right now. Time will change or eliminate both of those disadvantages completely, so I’m not too worried about them.

I went to camera stores and held both the G1 and the Olympus E-420 in my hands. Felt their heft. Looked through their lenses. Made up my mind. The G1 got the nod. I kept an eye on prices every month or so… and waited.

I was scheduled to participate in a local vintage car event this weekend and decided the time was right. Sure enough I checked “froogle.google.com” and the G1 had dropped over $250 since its introduction. The G1 is sold as a kit, with one lens (14-45mm) and when I ordered it a few weeks ago I noted the 45-200mm telephoto was on sale for $65 off, so I figured getting the camera and both lenses was a great deal. It arrived via ground shipping yesterday and I broke it out of the box and charged up the batteries overnight. Today I spent my spare time RTFM’ing and managed to work my way through the entire user manual so now I know what all the buttons and knobs do. Unfortunately my event for the weekend was cancelled a week ago (not enough entrants I guess!) so I’ll have to settle for some other situation to take the G1 out and test it’s abilities. Stay tuned.

Meanwhile here are some photos of my old and new rigs side-by-side:

The Olympus is sporting a wide-angle lens converter that I shoot with almost all the time. The built-in lens on the C-5050z is “ok” but the addition of the .7 converter transforms it into something capable of pretty dramatic photos. The G1 is equipped with a Leica 14-45 zoom lens. It doesn’t quite have the “width” of the converter-equipped Oly. If a very-wide angle lens becomes available in a Micro-Four-Thirds format I’ll likely buy it. Until then I’m considering finding an adapter to mate the Leica and the Oly converter. We’ll see.

Note the size of the LCD on the G1 compared to the C-5050z. It is enormous! It is also very sharp, and zooms automatically to a 1:1 pixel ratio with the CCD when you touch the focus ring on the lens. Amazing.

Note also how the new rig is almost identical in size to my old Olympus. I love that here I have the latest technology, shrunk into a very compact size. Weight-wise they are very close. I think the Oly+Converter outweigh the G1, but without the big hunk-o-wide glass the Oly is still lighter. Not an issue as the G1 will easily allow one-handed low-angle fast-moving photography.

Thanks again for all your help and advice. I can’t wait to start shooting!

I’ll write a review once I’ve had more time with the camera.

A review.

I’m in the process of crafting a short “review” of the E-type. While I’m finding it difficult to condense a lot of history, and driving impressions down to ~800 words, it is fun to try and capture this bit of lightning it a bottle.

If you have a few moments have a look and tell me what you think.

I’m happy to scrap the whole thing and start over if need be.

Published: SNMP as Datacenter Facility Management Protocol

Just one of many ways of viewing SNMP data

This one slipped by me when it hit the inter tubes nearly a month ago. I wrote it back in February or so, shipped it off to my editor, and promptly forgot about it. My editor’s wife gave birth to their first kid, and my editor’s life changed far beyond his expectations (though in my defence I did warn him!) Anyway, after a delay it finally published early last month. TechTarget shuffles their site around so much that my RSS feed reader obviously has lost track, otherwise I should have been automatically notified. Oh well better late than never, here’s my take on what I considered to be the most important point of Datacenter Pulse’s “Top Ten” list for the industry (though they put it at #7, oh well):

Users demand SNMP standard-based monitoring for data center power and cooling equipment .

Yes, it is way off the beaten path my blog readers are accustomed to, but I do use some analogies you can understand!

And no John, I didn’t specify SNMP v3, if only to keep it simple. These are HVAC & Electrical guys, so I have to ease them into a new way of thinking first before I can get specific. 😉