That B-25…

Those of you who follow me on Twitter have noted that I’ve mentioned the appearance of a restored B-25 Mitchell bomber that has made near-daily appearances over our house. It will arrive, and do lazy circles for 30 minutes or so, then fly away (presumably to Everett.)

Photographing it has been tough, as it is almost always “backlit”, that is appearing below high overcast or thin clouds, and at moderate altitudes. Even with my longest lens. I have tried though, and here are a couple of the better shots: (heavily processed to bring detail out of shadows)

Cascade Sunset Clouds

One

The weather here over the past few days has been dramatically Spring-ish. Unlike our traditional multi-layer blankets of grey, we’ve been treated to dramatic broken clouds and sunbreaks. This evening as we were finishing dinner (Nick made pasta and meatballs!) the dining room’s eastern facing windows began bathing us in golden light. A large storm cloud was over the Cascades and was being lit by the setting sun. Nick said I should get my camera. I stood up and looked outside, and noted the towering, spreading cloud top and said that I really don’t have a wide-angle lens wide enough to really and adequately capture the moment. Then I recalled that I had a step-up ring that fit my Olympus 0.7x teleconverter. I dug that out of the camera bag as fast as I could and screwed together the bits I needed, and scurried out onto the deck. Sure enough the 9.8mm equiv lens couldn’t capture the entirety of the scene. (You guys need to buy some of my photos so I can buy that 7-14mm lens! Click over there!—> )

I shot about 50 images, most in JPEG then finally remembered to switch to RAW as the sun finally sunk over the horizon.

Two

Today, after chatting with a few folks about the fixes in the latest rev of Aperture I re-downloaded/installed it (after nuking all evidence of its previous existence off my disk.) Oddly the pixels right off the sensor were pretty damn good on their own! I performed minimal adjustments. These three images are straight JPEG exports from Aperture. No round trips to Photoshop for my usual “save to web” treatment. Which do you like best?

Three

A Nice Sunday

Farewell Bill!

I spent yesterday in Seattle attending to several important life tasks. The foremost of which was saying “farewell” to a great friend and colleague, Bill Dickson. I’ve known Bill for around twelve years, and had the great pleasure of being his boss for a fair amount of that time. Bill’s a great guy, and one of the best sysadmins I’ve ever managed. Bill has found a new job, in another state, so is leaving Seattle in the next few days. He held court at the Big TIme Brewery in the University District yesterday from about 11:30 AM until sometime after 3 PM. I showed up about 12:30, and hung around until a bit after 3. A parade of well-wishers and old friends came by to say their farewells. Among the folks there were a few other ex-digital.forest tech staff, including the amazing Tom Kepler, and Matt Jay with his wife Jen.

L-R: Kepler, Jen and Matt Jay.

Quite a few other folks I had hoped to see were absent. 🙁

Earlier in the day I was actually at digital.forest, in my old office (now strangely and sadly empty) building a new server. It is a nice little dual-processor, 1U (but not unnaturally long!) server. Soon I’ll be moving this website, and all my other scattered web properties (www.goolsbee.org, etc.goolsbee.org, mac-mgrs.org, etc etc) onto this machine. I have stuff scattered all over both d.f shared servers, and a few of my own, very old, and very crufty servers (including a 1998-vintage 233MHz G3, which serves most of the images on this site!) The point being to consolidate and make my personal webstuff more portable. Less impact on d.f, and easy to relocate should I need to do so.

Before Bill’s send-off I spent a bit of time installing an operating system (BSD) on the hardware. In a lot of ways this new server will keep me connected with Bill, as he’s moving his web stuff onto this new server as well. I trust him with root more than I trust myself.

Our new web server.

After 3 PM I ran back downtown, and had a meeting/interview with the CTO of a company that is interested in me. Yes, a job interview on a Sunday. More news on that should it develop.

Bien sûr, Je ne parle pas Français, Je suis un Americain!

Bien sûr, Je ne parle pas Français, Je suis un Americain!

I can say this phrase in near-perfect French. Like Magritte’s painting of a pipe, it has more than one layer of irony.

This is not a pipe.

I took four years of French when I was a kid. Two years in grade school – 4th & 5th grades, and two years in high school. Because I had to have two years of a foreign language, and I was a lazy slacker, I took the same two years of French over again. This was pulled off because between grade school and high school my family moved from Illinois to Texas. The Texas schools had no idea I had already been through the course and gave me credit for doing it again.

I haven’t spoken a lick of French since. The ability to read it hasn’t vanished, but there are always mystery words. If I listen hard I can understand spoken French now and then. For example if there is a hockey game on Canadian radio en Français I can mostly follow along. But if my life depended upon saying something in French right now I’d be a goner. It would be au revoir Chuck!

Something has come up lately that has me studying French again (too early to share, as details are sketchy, but be patient!) so I’m looking for suggestions for online or offline lessons. I’ve been playing with livemocha a bit, and may just spring for their course… but I’m open to suggestions.

Or even direct help from any of you Francophones out there!

My work in laser cut vinyl.

The digital.forest logotype

This is my work.

That’s a double entedre of sorts as it is also, for the moment, my employer, but what I’m talking about here is this logotype. Back when dinosaurs in neon-colored Member’s Only jackets roamed the earth, I was a Graphic Designer. I designed this at the request of my friend, Chris Kilbourn, who started d.f back in 1994. For posterity, here is the back-story of its creation; (Kilbo can fill in any details I’ve forgotten in the comments)…

When I was a professional designer I kept sketchbooks. Usually hard-bound books of blank heavy paper. I doodled and wrote in them constantly, usually with a black felt-tip pen. )I hate ball-points, and pencil doesn’t hold up well to wear.) I’ve kept all sorts of bad habits over the years but losing this good habit of doodling I regret deeply.

Several years prior to doing this logo for d.f I had done a whole corporate identity for a housing development called “Pine Lake Glen” on the Issaquah/Sammamish plateau. Back then it was a lot like the area I live now; high ground in the Cascade Foothills, with a few horse properties and widely scattered houses. It was just beginning to be developed. Now it is a bustling surburbia with a Starbucks on every corner, and expensive SUVs plying the driveways and parking lots. In my sketchbooks at the time I doodled a lot of trees coming up with the look for PLG. I settled on a set of three, which I had created with a paintbrush. I’ve often thought about driving up to the plateau and seeing if the signage I designed is still there, some 20+ years later.

When Chris asked me to design the d.f logo I remembered all those trees I had drawn years before and dug out my sketchbook. Sure enough, at some point I had made the perfect “tree”, with a fat loose-ended marker that had a wonderfully frenetic, organic shape. It would contrast well with the circuit-board motif I planned to mate with it to capture the incongruous combination of thoughts that is digital.forest. The typeface may look familiar to anyone who has ever driven the Autobahn: it is the condensed variant of the Deutsches Institut für Normung face created for highway signage. You know… all roads lead to:
All roads lead to Ausfarht!

I prepared other designs, but I knew this was “the one” as soon as I completed it. I presented a range of offerings to Chris but he saw the beauty in this one and went with it. I created some great letterhead, and some truly amazing translucent business cards (which d.f sadly no longer uses.) We’ve kept the overall design in the intervening sixteen years, and like a good logo should, it has stood the test of time. Recently we went through an office remodel. It took forever, and frankly drove many of us nuts, but one highlight was revealed at the end. Out in the lobby, highly visible as you step out of the elevators is my work embedded in the floor in laser-cut vinyl:

Though I’m leaving digital.forest the identity I created for it sixteen years ago will always remain. As an artist, it is always satisfying seeing your work… at work.

Early Spring

A Bloomin' Early Spring

We’ve had an exceptionally mild winter this year. Very little rain, even less snow, and since the new year, very warm temperatures. This tree usually blooms in late March, or early April. Here it is February 28th and it has burst out with color.

This is a shot from the G1, captured in camera raw format, with mild edits made in Aperture, then saved to JPEG using Photoshop’s “save for web” feature.